Friday, April 8, 2011

five stanzas for enso


i love the round sound your tongue makes
when it curls back into your mouth
like a the sound of a large marble
dropping into a quiet pond
from just above the surface

i love the uplifted yearning angle of your head
and the rabbit twitches in your left hind leg
when i find that one spot on your neck
where the white of your chest
meets the black of your shoulder

i love the long grunt you make
when you wake for a moment
and stretch the black fur bouquet of your legs
all the way down to your toenails
before falling right back asleep

i love how you ride shotgun
when we drive home from the park
your big head sticking out
the passenger side window
and your cheeks rippling in the wind

i love the way your forepaws
pin my left foot to the floor
as you work on your rawhide bone
and every time i run my hand across your side
your tail spins like a propeller.



Saturday, March 26, 2011

on the pathology of emotive amnesia


ever since i was old enough
to start remembering
my mind would often find itself
skittering along the surface
moving too fast and shallow
to place the exact reason or thing
that left me with the feeling
that i knew that i had

i would retrace my short-term history
scrounging for the reason for my mood
until i found some small or big something

a new micronaut toy
my aunt polly bought for me
when we visited her in chicago
with green metallic wheels
where a person would have had legs

the slow fungal death
of my siamese fighting fish aurora
in his tiny round bowl on the breezeway shelves

ed tuxbury telling me to give him five
and when i gave it
and held out my hand for five in return
him spitting into my palm

a kevin schwantz replica #2
arai motorcycle helmet
in red black and white
with a dark smoke shield

finding cindy werner
kissing mark warford
when she should have been kissing me

a photograph i had taken
of my best friend
framed in a doorway
against the sky
the light curving perfectly around his calf

once i could re-triangulate my position
and be certain mind and mood
had synchronized their watches once more
i could settle back
and let it wash over me again

but then i saw you last night
trying on the spherical pendant necklace
with 3.2 carats of natural world diamonds
in canary, ice blue, aquamarine, and white
encrusting its latticed surface
and i knew i would never forget
those exact coordinates

now
when i misplace the memory
of what it was i was looking forward to
or away from
i will always find myself again
in the center of that small jeweled world
resting in the curved hollow of your bosphorus
watching the sunlight sparkle in
shifting from one shade of the ocean
into another


Tuesday, March 8, 2011

nineteen ten


(a work in progress…)

we know only a little spanish
so we speak like little children
so we think like little children
this is good
this is not good
we speak of no shades of grey
having only black and white
and our minds relax completely
into vacation
as we graduate to
this is excellent

my name changes to  juan carlos
and melissa's e turns into a long a

we learn slang from a taxi driver
how to say
this is wicked

we learn the words for open
and for closed
from the l.e.d screen
on the safe in our room
by reading the yellow and black signs
we learn what is dangerous

new words enter us
and new words leave us
like the name of the not so ugly
fat-bottomed rats we saw
carrying bright chunks of papaya
back into the forest

we add an afternoon
between our good morning
and good night

we drink micheladas with the locals
and ask how do you say this
pointing at this
how do you say that
pointing at that
and we learn to drop our s’s
so our good nights
sound less like they are coming 
from the pages of a textbook

and at the end
we check out of our hotel room
returning to our infinite shades of grey
and both of us can  pronounce our room number
perfectly.

deiceneuve diez

(un trabajo en progreso…)
  
sólo sabemos un pocito de español
así hablamos 
como niños pequeños
por lo que pensamos 
como niños pequeños
esto es bueno
esto no es bueno
hablamos de ningún tonos de gris
teniendo solamente en blanco y negro
y nuestra mente relajarse por completo
en vacaciones
como pasar a la
esto es excelente

mi nombre cambia a juan carlos
y e melissa se convierte en una larga a

nos enteramos de la jerga de un taxista
cómo decir
este es perveso

que aprender las palabras para abierto
y para cerrado
desde la pantalla l.e.d
en la caja fuerte en la sala de
mediante la lectura de las señales de color amarillo y negro
nos enteramos de lo que es peligroso

nuevas palabras a entrar
y nuevas palabras nos dejan
como el nombre de los no tan feo
grasa de fondo ratas vimos
llevar trocitos de papaya
de nuevo en el bosque

añadimos una tarde
entre nuestros buenos días
y buenas noches

bebemos micheladas con los locales
y preguntar ¿cómo se dice esto
señalando en este
¿cómo se dice que
señalando que

y aprender a bajar la s de
por lo que nuestra buena noche
sonar menos 
como lo vienen
de las páginas de un libro de texto

y al final
que visita de nuestra habitación de hotel
Volviendo a nuestro infinitos matices de gris
y los dos de nosotros puede pronunciar nuestro número de habitación
perfectamente.

for the woman in the short black skirt

   
dancing alone in the carpeted space
behind the last row of folding chairs
at the michael jackson dance revue
at the playa del carmen resort
who had enough tequila last night to forget
that she had no real idea of how to dance

her legs spread apart on the floor
stalking from side to side in wobbled jerky steps
waving her arms and body around
even when the music stopped between numbers
and the performers changed their costumes backstage
shedding their thriller zombie rags
for something more formal

she kept gyrating in the silence
but had enough focus to see
that people were watching her
and enough sense to tell
that people were judging her

she turned to a group of us
and slurred loudly
as she continued to move to the rhythm
she had found in the distilled nectar of the agave plant
drawing out all of her syllables
telling us that we should all be dancing
that dancing was a beautiful thing
and it felt wonderful
and continued with a few other unintelligible things

as everybody moved back away from her
just a little bit further
towards the back wall

the mexican dancer playing michael jackson
stepped back onto the stage
a fedora placed low on his head
and microphone curved
from his right ear to his mouth

she turned back toward the stage
and the next song began
and she continued to move without grace
dancing to a beat that nobody else could hear

her movements were awkward and random
in all the standard ways
that american too drunk on tequila girls move
it had nothing to do with the music
it had nothing to do with michael jackson
it didn’t flow
it wasn’t gainly
it wasn’t smooth

but as the performer on stage
struck that iconic michael jackson pose
his head angled down
so we could only see his mouth
with one hand on his crotch
his other hand in its white jewel encrusted glove
stuck down and out to his side

i glanced back to the woman in front of us
and it wasn’t pretty
but i knew that she was right

it was beautiful.



Saturday, March 5, 2011

anisoptera

   
- for rollin everett
(i can't think of dragonflies without remembering you)

i used to think of writing
as chasing after something fleeting
like a rare dragonfly i needed

to capture in my neural net
put pins thru its wings
and frame it under archival glass

but after all these years
it has become something more serene
more patient and abundant

they surround me constantly
and all I need to do is hold out my hand
and one will light on my fingers

see how it waits so quietly there
not even twitching its transparent wings
while i describe it to you.



          Photo used under Creative Commons from Joi


a la izquierda

    
sitting on the end of the pier with you
on the western coast of cozumel
our legs dangled over the edge
a half drunk black russian by my right side
and a watery mai tai by your left

we watched the fish glitter by beneath us
and talked about our past loves
mismatches missteps and grace

the one who ran away from you
into the woods of abilene kansas
knowing you would run after him
and catch him
and then he would propose

the one with a kitten-shaped hole
in her heart
who told me i was careless with mine
and was right

and others who were right
about other things
and wrong about still others
and though there were so many
stars in the sky that night
and so many fish in the sea
my attention kept coming back
to our shadows
and how they were cast onto the water
by two lights above and behind us
in the corners of the thatched roof

one showed our shadows off to the right
outlining the shapes of our bodies
with a slight gap between them
in darker shades of grey on the blue

the other bulb sent another shadow off to our left
and that light was stronger
and because of its angle
and because of its brightness
and because of exactly where we were sitting together
the shadow it cast was much clearer
the contrast at our edges was much higher
and it cast our bodies as one single shape
sliding gently over the waves
and out into the ocean.

Tuesday, February 22, 2011

four months and three days

  
today while packing
for our trip to cozumel
i opened the small wooden box
in my closet
that holds my watches
tie bars cufflinks and passport

and sitting on the top tray
coiled up and off to the right side
was mingus' collar
a strip of blue nylon webbing
with a blue anodized bone-shaped name plate
a round silver rabies tag
a purple heart award for bravery when neutered
with most of the purple worn away
and a few short white hairs
stuck into the fabric around the buckle

so little
and so much left behind



Monday, February 14, 2011

on the modern study of galvanism

   
this year my birthday
was stretched out over two weekends
and a week in between
as we do when our plans get grander
than our time or resources
and a single day is no longer enough

and on the last weekend of my birthday
the presents arrived
a glorious stuttering train of surprises
involving much closing of the eyes
so they could furtively pass by
from one room into another
before being officially unveiled

and with the stretching of the event
we ended up teetering on the ledge
of february 13th
and my basking in the me-ness
was pulled by the carriage return of monday
and dropped into the red heartiness
of valentine's day

and in the same way you had considered
hanging onto one of my birthday presents
for this other event
i realized too late
that the words i wrote for you last week
would have fit this day so perfectly
and the drout of the worry
and the worry of the drout begins

and so i turn to the things you gave me
last saturday night
and consider each one as a metaphor
i can use to court the rain
and make that perfect smile of yours
bloom in the mid-february sun

the suitcase seems least possible
with its imagery of leaving you alone
it sitting on a luggage stand by a closet
in a courtyard by marriot
in some small midwestern town

though the way its handle reaches out
to hold my hand
as we wander through the airport
is touching
and the swiss logo with that silver plus sign
floating in the small red square
has some potential

the boldly pink and black Countess Mara tie
the one that could have stretched between events
if i hadn't been there with you
shopping with you to find the perfect one

it could work well for this piece
but as i delve further into its provenance
i find that paisley is sometimes known as
"persian pickles" by american traditionalists
and has many other botanical and dynastic references
and none that tie back as well as i want
into the knots and facets of this day

the peanut butter chip chocolate cookies
you baked for me at your parents' house last night
are a tempting option
representing the fusion of your culinary skills
and your ability to take the tastes i love
and create a recipe
that is at once my favorite cookie in the world
and is similarly working its way into the hearts of anyone else
who has been lucky enough to have one in their mouth

but of course the best option is the single rose
the red rose held in a skeletal hand
the red rose whose stem intertwines 
with the ribs of the skeleton
on the numbered and signed lithograph
FRANKENSTEIN by David Lance Goines
for a January 21, 1984 showing
of the 1931 movie at the Pacific Film Archive

how could you be anything
but that rose to me
the way you nestle into my chest
surrounded by all those bones and pistons
cams crankshafts and hoses



Monday, February 7, 2011

ribbon

   
i tell you one night
that we are rocks in a stream
pushed up against each other
and each and every single one
of these great unfairnesses
that enters and exits our lives
the people dying too soon
being sick too often
being unavailable
being sad 
being broken
these things are random currents and eddies
jostling us around as they pass
moving us upon each other
grinding us together
wearing us down just a little bit more 
but making us fit 
even more perfectly together

and i think i have come up with something

so poetic and profound
this way of framing 
this particular thing
that is so meaningful 
that it gives both of us
some new insight into who we are
and what we mean to each other
and how it all works together

and then 

you

in one moment

you digest what i have said
and you look straight into my eyes
and you do 
what it is 
you have done for me every day
and every moment of my life

you take 

what i think
is a completed thought
and you add yourself into it

and you are there 

standing next to me
looking at the same two rocks 
in that same stream
that i am imagining are us
and you say these words

these words

that are once again
evidence of your superpower
these words that are a shimmering silky ribbon
on the package that was simply an image
and now is a gift 
we are giving to each other

you say
"and the water makes us shiny, too!"

Thursday, January 27, 2011

halo


- for melissa

in my post knee surgical vicodin tainted dream
i was a spartan
campaigning in a game of xbox halo reach
standing in the middle of an open area
of the sword base courtyard
surrounded by grunts and jackals
with 2 elite generals advancing
from under the bridge

i was paralyzed
stock still in place
my sleeping body flinching
with every direct hit
from their plasma pistols
lighting up and depleting my armor shield

and at the same moment i realized i could not move
i felt your hand on my chest
and looked up to see you standing there
resplendent in a bright red armor set
a plasma repeater held out in your right arm

you walked casually around me in circles
gracefully eliminating the covenant troops
your left hand touching me the entire time
until we were the only two bodies
remaining standing on the map.


Wednesday, January 26, 2011

please


i am not sure
if Shamanism and Reiki
are functional concepts
outside the Pacific Time Zone

but i have sampled
philosophies and religions
at each slice of Greenwich Mean Time
looking for One who
(if only i would deliver my eternal devotion)
would take a moment
to gently smooth over
the scar tissue inside my wife

i have spent months
in smaller bits
waiting for prescriptions at Walgreens
reading the latest Popular Mechanics
in the chair by the pharmacy registers
with the long suffering
$99.95 HoMedics Therapist Select Shiatsu Massaging Cushion
installed on it
handheld control buttons broken
but still workable
with proper application of my Honda key

i have silently repeated this One word
over and over
into the moist hollow of her neck
in the long moments after we made love
begging her fallopian tubes
to open like catchers' mitts
and receive the ingredients
approaching from above and below

i have administered
the maximum dose of my mantra
pleading for the right combination
of follicle stimulating hormone and progesterone
complete and utter trust
and her spotless soul
to make just One flash of light
so small and far away

some small someOne
miles deep in a forest
striking the last match in a matchbook
and gently setting it
just beneath the tinder.