to start remembering
Saturday, March 26, 2011
on the pathology of emotive amnesia
to start remembering
Tuesday, March 8, 2011
nineteen ten
deiceneuve diez
así hablamos
por lo que pensamos
esto es bueno
esto no es bueno
hablamos de ningún tonos de gris
teniendo solamente en blanco y negro
y nuestra mente relajarse por completo
en vacaciones
esto es excelente
y e melissa se convierte en una larga a
cómo decir
este es perveso
que aprender las palabras para abierto
y para cerrado
desde la pantalla l.e.d
en la caja fuerte en la sala de
mediante la lectura de las señales de color amarillo y negro
nos enteramos de lo que es peligroso
nuevas palabras a entrar
y nuevas palabras nos dejan
como el nombre de los no tan feo
grasa de fondo ratas vimos
llevar trocitos de papaya
de nuevo en el bosque
añadimos una tarde
entre nuestros buenos días
y buenas noches
bebemos micheladas con los locales
señalando en este
¿cómo se dice que
señalando que
por lo que nuestra buena noche
sonar menos
de las páginas de un libro de texto
y al final
que visita de nuestra habitación de hotel
Volviendo a nuestro infinitos matices de gris
y los dos de nosotros puede pronunciar nuestro número de habitación
perfectamente.
for the woman in the short black skirt
with one hand on his crotch
Saturday, March 5, 2011
anisoptera
(i can't think of dragonflies without remembering you)
a la izquierda
Tuesday, February 22, 2011
four months and three days
today while packing
with most of the purple worn away
Monday, February 14, 2011
on the modern study of galvanism
with the ribs of the skeleton
Monday, February 7, 2011
ribbon
i tell you one night
that we are rocks in a stream
pushed up against each other
and each and every single one
of these great unfairnesses
that enters and exits our lives
the people dying too soon
being sick too often
being unavailable
being sad
being broken
these things are random currents and eddies
jostling us around as they pass
moving us upon each other
grinding us together
wearing us down just a little bit more
but making us fit
even more perfectly together
and i think i have come up with something
so poetic and profound
this way of framing
this particular thing
that is so meaningful
that it gives both of us
some new insight into who we are
and what we mean to each other
and how it all works together
and then
you
in one moment
you digest what i have said
and you look straight into my eyes
and you do
what it is
you have done for me every day
and every moment of my life
you take
what i think
is a completed thought
and you add yourself into it
and you are there
standing next to me
looking at the same two rocks
in that same stream
that i am imagining are us
and you say these words
these words
that are once again
evidence of your superpower
these words that are a shimmering silky ribbon
on the package that was simply an image
and now is a gift
we are giving to each other
you say
"and the water makes us shiny, too!"
Thursday, January 27, 2011
halo
- for melissa
in my post knee surgical vicodin tainted dream
i was a spartan
campaigning in a game of xbox halo reach
standing in the middle of an open area
of the sword base courtyard
surrounded by grunts and jackals
with 2 elite generals advancing
from under the bridge
i was paralyzed
stock still in place
my sleeping body flinching
with every direct hit
from their plasma pistols
lighting up and depleting my armor shield
and at the same moment i realized i could not move
i felt your hand on my chest
and looked up to see you standing there
resplendent in a bright red armor set
a plasma repeater held out in your right arm
you walked casually around me in circles
until we were the only two bodies
remaining standing on the map.
Wednesday, January 26, 2011
please
the scar tissue inside my wife
Saturday, December 11, 2010
because it was the way we wanted him to go
when you were more awake than me
you heard me making noises
trying to stop something from happening
Wednesday, November 24, 2010
pack rules
it was you
who taught us the importance
of keeping the pack together
you who would wait at the front windows
when it was time for us to get home from work
you who would leave me once i was settled
to go wait at the window again
for melissa to arrive
when your senses
started to fail you
you would leave the room
with both of us in it
to go look for us
in all of the other rooms of the house
sometimes camping out
outside the master bathroom
if the door was closed
thinking melissa was still in there
and waiting patiently
until we realized where you had gone
and got up to find you
and bring you back
and now that you are gone
somehow all your searching for us
in those last few weeks
when we were right there
makes a perfect inverted sense
as we continue to look for you
expecting you to come running up to us
as we open the door into the house from the garage
turning around in the kitchen
holding out an almost empty casserole dish
that needs your attention
and waiting to hear the click of your toenails
coming down the hallway
every night
as we get ready for bed.
the kind of dog
how you were not the kind of dog
to run away
who if you escaped from the house
without us noticing
would never leave our unfenced yard
and would be back at the door minutes later
scratching on it to be let back in
as you got older
we talked about how some dogs
know they are dying
and if given the chance
will walk out into the woods
and simply lie down forever
we didn't think you had
that kind of instict
but the last day before you died
to an area of the back yard
i had finally fenced in with chicken wire
a few weeks earlier
and when you didn't come back in
after fifteen minutes
melissa went out to check on you
and you were lying down in the grass
at the far edge of the fence
completely asleep
when she told me
she had found you there
like that
i imagined if the fence hadn't been there
you wouldn't have either.
in case i needed to explain this
that we did not know would be your last
only knowing that you were officially old
we would set aside a day every month or so
and that day was simply for you
it was a day of giving you
whatever it was you wanted
those days were filled with dentabone treats
the pack taking long walks outside
shorter and shorter sessions of fetch in the backyard
letting you outside as many times as you wanted
and sitting on the back porch
watching you take your nose on tour
around the perimeter of our yard
and on the colder days
hours of napping on the couch
nestled between melissa's legs
and covered by her pink snuggie
as she studied
after your seizures started
and the cancer diagnosis was confirmed
every day became one of those days
every sunday morning we put
boneless skinless chicken breasts
into the crockpot along with
whatever vegetables we thought
we could trick you into eating
and melissa
who you had taken such good care of
never straying from her side
over the many months of her sicknesses
returned your favors so elegantly
packaging you on the couch
with a turquiose colored pillow
under your chin
and a blanket draped just so
across your body
always knowing
if you wanted your head covered or not
as your coordination faded further
and after you fell off the couch
and onto your back without a sound of complaint
you were wary of the altitude
keeping instead to your bed on the floor
and melissa would get up to rearrange your bed
and re-blanketize you
more times than anyone could imagine
in the last few weeks
these days of giving you
whatever it was you wanted
became harder and harder for her to take
and not because she saw so clearly
the increasing slope of your decline
not because you would get up from your bed
every five minutes
dig at the covers
look at her and whine
not because she had to get up
and help you get settled again
not because you needed so much
what tore at her the hardest
was simply that she couldn't figure out
what it was you wanted
what hurt her the most
was not being able to help you.
Tuesday, October 26, 2010
requiem for mingus the whippet
after putting our whippet down
after 14 years together
after a short escape to the coffee shop
you were in your car
still in out driveway
performing some necessary email
or message on your smartphone
after dropping me off
about to head out on
just a couple of more errands
on our official day off work
day of mourning
when i saw you still there
i called you
and told you to come inside
and make love to me
because i learned from mingus
how to ask for what i want
and how to be a better animal.
Wednesday, October 6, 2010
how it always ends
this is how it ends
how it always ends
my hands on your hipbones
your hands outstretched into the air
the first part of the dance is spectacular
and the middle part is sublime
and each is different every time
i mean
i am sure they are
but for the life of me
i can't remember any part of them
the only part that is left
beaming through my memory
is what happens
in the last few notes
as you can tell the song
is winding down
and there has to be an ending
the lights fade out on me
and the only illumination
is one sharp edged spotlight
surrounding you
as you move slowly
towards the front
of the stage
then you start to move faster
running like you have no idea
the floor beneath your feet
is about to run out
and just as you reach a point
a few feet from the edge
you leap into the air
stretched out into a perfect swan dive
and as you reach the highest point
on the very last note
the point
just before you would naturally
begin to descend
you feel my hands on your hipbones
and you know then
once again
i was moving along with you
every single step of the way
you know then
the echo of your footfall
was mine
you feel my hands on your hipbones
supporting you from underneath
lifting you along the same arc you started
but higher
until you are suspended
directly over my head
the spotlight streaming into your eyes
the last note fading into the distance
your arms spread as wide as your smile
a smile born of knowing
this is how it ends
how it always ends
knowing every time you leap
into the bright darkness
i am there to lift you higher.
Wednesday, September 1, 2010
"i will die soon, but i am comfortable"
dear uncle mike,
when you were young
dressed only in your indian loincloth
and now, soon
slipping through your bedroom window
and running off silently
Sunday, June 20, 2010
depth of field
when i look at any picture
and notice where the photographer
chose to allow the details through
if the focus was close
and the background details
are blurred away
when i look to see where the choice was made
what details to show
or if the artist must have used a tripod
to use a long enough exposure
to get everything
at every distance
as sharp as mechanically possible
i think of my father
when i tighten screws
on the switchplates in my house
and how he told me
so many years ago
that lining up the slots in those screws
was the mark of a true craftsman
the go/no go gauge of quality
i think of my father
at family dinners
as we talk after the meal
and how he lines up his placemat
his napkin
his water glass
making parallel lines
and equidistant arrangements
as we speak
and i know it takes no thought
it is absolutely no distraction
from our words
it is simply the gestures
of a patient zen master engineer
practicing a slide rule
kind of mindfulness
making everything right
with this small world set in front of him
i think of my father
every time i feel a torque wrench
click in my hands
partly because he gave me my first one
a long beam type for use on
my motorcycle rear wheel axle castle nut
and actually my last one too
a tiny quarter inch drive
for setting allen screws
on carbon fiber bicycle parts
but also because that click says to me
the same thing it has always said to him
this thing
this one small thing is perfect
but then
to balance it all out
and to develop the clearest
highest quality
most detailed image of my father
i think about how he is also
so strongly moved
by the human grace of the arc
of a perfect hook shot
in a washington university
lady bears basketball game
i think about sitting behind him
at my cousin's wedding
three summers ago in montana
i think about how he watched his brother jim
set his walker to the side
so he could walk his daughter down the short grassy aisle
and how jim made it halfway to the minister
with julie on his arm
before my father had to take off his glasses
to wipe the tears from his eyes
those tears
traveling such perfect
non linear
non parallel
misaligned tracks
as they flowed down
through the features of his face.
Tuesday, May 4, 2010
a single word
about going to the vet
and finding out
that our whippet
has leukemia
and only a few months
left to live
it is about
how on the way home
in the backseat of our car
he moved from one window
to the other
tasting the air on each side
it is about how he stood
with his front paws
on the armrest
between the front seats
panting and smiling
as if he hadn't understood
a single word
the vet had said.
Tuesday, April 13, 2010
Mingus monsieur l'artiste a encore frappé

Mingus monsieur l'artiste a encore frappé, en disant: J'ai toujours rêvé d'aller en voyage à jouer dans une fanfare, mais je ne peux pas échapper à cette impression que quelqu'un s'est enfui avec mon tuba ... attendez! ... c'est que mon collier ou un coup de main à mon la gorge?
Translated:
Mr. Mingus artist has struck again, saying: I always dreamed of going on a trip to play in a brass band, but I can not escape the impression that someone has absconded with my tuba...wait!...is that my collar or someone's hand on my throat?
Tuesday, March 30, 2010
from the grocery store parking lot 5 days before easter
the small solar-powered mechanical dancing flower
destined for your windowsill at work
and the tiny milk carton of mini whoppers eggs
i found myself once again
on the verge of tears
lost in the small world
of all the small things i can do
to distract you
from everything else
that is not so small
so pretty
so sweet.
Friday, December 25, 2009
Christmas Card from Mingus the Whippet
The title provided by Mingus is: “chocolate cherry dog danish with festive garnish”
It is an exceedingly complicated exercise to unweave all of the symbolism and contextual implacability coherent and inherent in his vision, but we will attempt nonetheless.
This title, though humble in its intent, only belies the seriousness and depth of contextuality of the metaphors contained therein. The image looks quite tasty, if one fancies whippet pastries, yet also contains an element of danger and foreboding, as if perhaps (against all odds, by miracular intervention) the canine has survived the baking process by freeing his nasal implement. The quantum state he has achieved with this vision creates a definite tension between the polarized options of a dozing animal, and one that has been baked alive into a consumable delicacy. The image gives us no clue to discern the truth, and the lingering quease and unease and modernist questions posed by this “Schroedinger’s dog” cannot be avoided.
The stubbornness illustrated by the animal in either of his quantum states is clearly demarcated by the slight glisten of moisture on the ebony tip of his nose. He seems to be saying, “Witness the indomitable canine spirit!” at the same time he is murmuring, “Leave me alone, for I am currently napping, chasing small (but spritely) bunnies in my dreams.” The bright red, santa-esque swaddlescent coverering, while both suggestive of canned cherries in glaze and of the spilt blood of our Saviour, only contributes to our confusion between dining and divinity. It is an easy conclusion that Mingus means to draw strong parallels between his quantum identities and the birth, death, and eventual rise of Jesus Christ. While this strong symbology could easily be dismissed as pandering and in poor taste, he takes advantage of his humble stature as a faithful quadrupedal servant to man to deftly sidestep any such criticisms.
The silver snowflake ornament on the center of the blanket/filling is also subject to similar parallelisms. While, upon first glance, one simply sees it as a quaint holiday adornment, it becomes clear (once we have delved fully into the Schroedinger’s Christ morphologies and associated zeitgeist) that it also stands as a beacon with versimilitude to the North Star that allegedly led the wise men to the cradle of the baby Jesus. I think at this point it is most likely unnecessary to even mention the dyslexic “god-dog” connection, but it simply cannot be ignored as part of the cross-species-cultural elements of the piece.
In summation, if we were to amalgamate the vast potpourri of imagery and meaning contained in this image, Mingus seems to be saying, “Come witness the gentle rise and fall of the cherry filling as it moves with my humble ribs. See how the universe expands and contracts and yet your dog remains in one singular location.”
Indeed, Mr. Mingus, indeed, the universe has expanded again this year, and contracted and we are still here, pondering what it all means, why animals are so inscrutable, and what we should eat next.
Merry Christmas and a Happy New Year from Charlie, Melissa, and the artist formerly (and presently) known as Mingus.
p.s. We have settled nicely into our new house, Melissa is kicking ass and taking names at her new job, Charlie is still figuring out what he wants to be when he grows up, and Melissa is being beautifully patient while he works on that.